Cap Corse cipollino

Santa Giulia

Exceptional marble

Striated blue and grey working face of the Brando quarry

01

The stone

Santa Giulia is a cipollino, a foliated marble from Cap Corse. Its density allows it to withstand frost, salt and abrasion where other marbles call for special care. Its veins and quartz inclusions span an entire range, from ochre to deep blue. Its best guarantee is not a test report: it is having served as paving for eight centuries, in Bastia, Genoa, Marseille and Lyon. A stone that has stood up to the street can stand up to anything.

The Brando quarry opening onto the sea, on Cap Corse

02

Since the 12th century

“The paving of Bastia, lastricato and made of slabs of Brando stone quarried nearby, is a kind of jasper-veined marble superior even to the paving of Milan, Florence and Naples; it would be more worthy of palaces or temples than of streets: the hues of this stone come out after the rain with a singular brilliance.”

— Press archive, facsimile of the Gazette de France, 1837

03

Petre Scritte, the written stone

Corsica is split in two: granite to the west, schist to the north-east. Cap Corse belongs to the latter, and it is from this dark slope that cipollino emerges: a marble born of Alpine compression, foliated as few marbles are.

On the flank of the Cap, facing the open sea, the quarry has always been called Petre Scritte, the written stones. Engravings have been cut into it since the 12th century: masons’ marks, tally marks, initials. Where the rock counts in millions of years, people have left a measure of their own: a signature, at hand height.

Cap Corse cipollino is one of the rarest marbles in Europe; only a handful of quarries still work it. Used under Rome, then in the island’s Pisan churches, it went on to pave Bastia, Marseille, Genoa, Livorno, Lyon and Cannes. Few stones have shaped the face of a region to such a degree.

Its golden age came under the Second Empire: quarrymen and stonecutters joined forces, the industry thrived, its reputation crossed the sea, until 1914 cut its momentum short. Veined with quartz, changing after the rain, it has never ceased to intrigue.

Stone façade engraved with the name Petre Scritte
“The paving, made of slabs of Brando stone, is a kind of jasper-veined marble, superior even to the paving of Milan, Florence and Naples. It would be more worthy of palaces and temples than of streets.”
— Antoine-Claude Valery, Voyages en Corse, 1837
Aerial view of Santa Giulia beach in Corsica, with Saint Giulia in the foreground

04

Santa Giulia

Marbles take their names from places: Carrara, Rosso Verona, Portoro. Rarely from people. Santa Giulia is the exception, and this time the reason lies first of all with her. Giulia was Carthaginian, of noble birth, reduced to slavery after the fall of her city. Those who owned her described her above all by her grace: the merchant who bought her was struck by her beauty and her calm; so was the governor who judged her. He offered her freedom in exchange for a simple gesture: to sacrifice to the gods of Rome. She refused, once, then again, until her martyrdom.

Legend has it that her ship first touched the island in the south, on the very beach now called Santa Giulia, before sailing north to Nonza, on the Cap, where she met her death. Two ends of Corsica, a single name, set like a link between the turquoise sands of the south and the rock of the Cap.

That the saint is patron of the whole island, and that her relics took the road to Italy before the stone did, makes the name all the more fitting. But the story, first of all, tells us who she was: a woman who did not give in.

05

Where it already lives

The stone in projects

Santa Giulia asserts itself with quiet authority. A basin that catches the light through its layers. A kitchen worktop where the veins of the stone become part of everyday life. Bathrooms where the depth of the stone turns water into something precious.

It is as much at home in palaces as in private residences. The quarry’s carefully curated palette, from green to deep blue, adapts to every vision without compromise. Time only refines it. Wear becomes patina.

06

I colori

Colours

Santa Giulia marble slab, vein cut, showing the Bianco, Blu and Grigio del Capo Corso shades

Bianco Santa Giulia

Blu Santa Giulia

Grigio del Capo Corso

  • Bianco Santa Giulia
  • Blu Santa Giulia
  • Grigio del Capo Corso

07

Variants

Zebrino Santa Giulia marble, cross-cut
Zebrino Santa GiuliaCross-cut
Cipollino Santa Giulia marble, vein cut
Cipollino Santa GiuliaVein Cut

08

Technical data

Santa Giulia marble technical data
Geological typeCipollino — metamorphic limestone (marble)
Compositionsiliceous limestone with calcite, significant amounts of quartz, small amounts of dolomite (CO3)2 (Ca,Mg)
Apparent density2.68 g/cm³
Porosity1.60% (non-porous, frost-resistant)
Sound propagation velocity6,185 m/s
Frost resistancefrost-resistant
Salt resistanceunaffected
Surface hardness (NF B 10-506 standard)1.0 mm scratch
Compressive strength83 to 91 MPa

09

Marble products

  1. 01Raw slabs
  2. 02Polished slabs
  3. 03Blocks for cutting
Sawn marble slabs, ready for cutting

10

Sourcing: from the quarry to your project

Ordering

Port of departure
Bastia — Corsica
Lead times
on request, depending on volume & finish
Sales contact
BETAG, Zone Artisanale Folelli, BP 54, 20213 Penta-di-Casinca, France — contact@betag.fr — +33 4 95 38 19 30
BETAG
Zone Artisanale Folelli, BP 54, 20213 Penta-di-Casinca
contact@betag.fr — 04 95 38 19 30

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